Logo.Hallucination deals with the question of privatization of the glance in relation to collective hallucination.
By interconnecting areas of similar color inside a painting, the Dual Paintings series unveils the networked structure of the space-time of color.
The Google Adwords Happening: how a global happening on Google unveiled the Generalized Semantic Capitalism.
Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being.
For the 2013 edition of the Show-Off Art Fair, the artists Christophe Bruno and Cécile Noguès cross their practice around the “informational tragedy.”
Expansion-Recession 1929-1979-2029 is a series of drawing on various supports, related to Kondratiev long-wave cycles of capitalism.
Non-weddings is a Google Hack I made after realizing that the Internet image search engines had some similarities with a small drawing by Jacques Lacan in “L’instance de la lettre dans l’inconscient”
My first net.art piece, Epiphanies is a conceptual Google Hack remixed with James Joyce’s definition of the epiphany. It is one of the very first pieces of “Google Art”.
Post-network neo-topologies are hand-made data drawings, in relation to global topologies of semio-organic networks.
You have the impression that the disasters of the world do not touch you anymore? You feel vaguely sorry for other people’s misfortunes but you don’t feel the inner urge which used to make you help your neighbour? WiFi-SM is the solution!
Fascinum is a Yahoo Hack, that became a Google Hack in 2004 after Google’s IPO. It shows in real-time the news pictures the most viewed on different national news feeds. The viewer surfs at the top of the infotainment wave and experiments in a panoptic view the paradoxes of one-track thinking.
Photographic print, 70×50 cm, series of 12
Global index of the decay of the aura of language, the Dadameter aims at measuring our distance to Dada. It was inspired by the work of the french writer Raymond Roussel.
Aujourd’hui, l’apprentissage du savoir-faire artistique par la machine suit les règles de l’Académie : l’Intelligence Artificielle est nourrie d’histoire de l’art et entraînée à reconnaître des styles picturaux. Ses réseaux de neurones sont alors capables de créer des oeuvres « à la manière de » tel ou tel artiste. Ainsi, tandis qu’un néo-académisme machinique est […]